Franchise Fatigue Continues with Low Box Office for ‘Men in Black: International’ and ‘Shaft’

Agent M (Tessa Thompson) and Agent H (Chris Hemsworth) in the lobby of MIB London in Columbia Pictures' MEN IN BLACK: INTERNATIONAL.

Continuing this month’s trend of sequels struggling to stay afloat, Men in Black: International came in below target much like recent releases Dark Phoenix, Godzilla: King of Monsters, and The Secret Life of Pets 2.  Sony’s newest installment in its long-running Men in Black franchise starring Chris Hemsworth and Tessa Thompson brought in only $28.5 million domestically for the weekend, making it the smallest debut of the series. However, international revenue makes up for much of its losses stateside, as the global intake adds up to $102.2 million.

The other big release of the weekend, Shaft, also failed to live up to expectations at the box office, bringing in only $7.3 million opening. It looks like the film will struggle to match up to the previous Shaft film from 2000, also starring Samuel L. Jackson, which opened at $21.7 million.

Critics have slammed both films, likely contributing to the weekend slump. Shaft has a critics score on Rotten Tomatoes of only 35%, though the audience rating is surprising 93%. Men in Black is looking at similar numbers, with a low critics score of 24% and a reasonable user score of 67%.

All of these failing releases may be a sign that Hollywood can no longer rely on sequels to be surefire hits. Without some major selling point to lure in the audience, a franchise name with big stars cannot always be all you need to sell a story. Many of these recent films share that commonality of lacking quality content, likely due to rushing deadlines and too much trust in the sequel system.

Leilani Reyes: Leilani Reyes is a visual artist, writer, and filmmaker who enjoys keeping up with all things film and TV related. As an LA native, the film industry has been woven into her life personally and professionally. She is currently an undergraduate student studying film production at Loyola Marymount University who paints and writes on the side. Her interests lie especially in sci-fi, horror, and queer cinema. With experience in playwriting, screenwriting, directing, and production design, she is passionate about all creative endeavors in the world of entertainment.
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