Jared Leto To Star in ‘Morbius’, a Vampiric Spider-Man Spinoff Directed by Daniel Espinosa

Recently, Jared Leto’s track record has been spotless. After winning an Academy Award for Dallas Buyers Club in 2014, Leto has starred in numerous blockbusters, such as Suicide Squad and Blade Runner 2049. This has earned him top billing in Hollywood, which, when combined with his extremely successful music career with 30 Seconds to Mars, really makes me wonder what his Google Calendar looks like. The man continues on his never-ending path of success with Sony’s next film (and latest attempt to expand the Spider-Man universe), Morbius.

Now, if you didn’t grow up in the mid ‘90s to early ‘00s, you probably didn’t have the pleasure of catching what is considered to be one of the greatest super-hero cartoons ever: Spider-Man: The Animated Series. The show ran on Fox Kids, but I watched the re-runs on now-defunct Jetix. For all the awesome and exciting moments that the show gave us (like Spidey’s cross over with the X-Men universe,) one of its most prominent characters was indeed the desperate-scientist-turned-vampire Morbius, voiced in the series by Nick Jameson. The anti-hero offered an interesting contrast to the normal atmosphere of the show, making the episodes in which he appeared more complex, gothic and dark.

Considering this wealth of content, and the fact that Morbius also has a slew of stand-alone comic books which provide a nearly infinite amount of material, Burk Sharpless and Matt Sazama have no excuse to turn in a less-than-impressive script. The duo have yet to prove themselves, penning such uninspired projects as Gods of Egypt, The Last Witch Hunter and, most recently, Netflix’s Lost in Space. Considering that the pair’s last take on the vampire genre was the disgraceful flop known as Dracula: Untold (which doomed Universal’s planned Dark Universe to immediate failure), I hope that Sony is careful with the treatment of the priceless material that they were able to keep away from Disney.

Director Daniel Espinosa is experienced, and has worked on a number of big projects such as Safe House, Life, and Child 44. Having experience working with big-name actors is often necessary to properly manage a set, so there is hope that the director will be able to contain Leto, who is known to be a deep method actor, sometimes crossing the line between professional and kooky.

The release date is yet to be announced.

Michael Adonts: Hi, my name is Michael! I am a filmmaker based in Los Angeles, currently living in the SF/Bay Area, where I attend UC Berkeley as an undergrad, majoring in Psychology. Beyond my studies, I also work as a freelance producer, videographer and editor, having worked with a variety of clients, ranging from local musicians to up-and-coming start ups, making videos, commercials and trailers. My interest in film began in middle school when my family and I immigrated to LA, having previously lived in Russia and Armenia (my homeland.) Having limited experience in American culture and language, I took to watching platitudes of classical American films of the 70s, 80s and 90s, from which, while seeking to simply become educated in a foreign culture, I discovered my love for cinema and its different forms, like directing, writing, and editing. I started making my own films in high school, where I also began collaborating with friends on projects of various nature. Learning the craft myself, I continue to do so now as I start to dive into bigger projects, with the goal of writing and directing for film and TV! While early on I was mostly exposed to New Hollywood directors and 90s filmmakers like David Fincher, the Coen Brothers and Spike Jonze, I eventually began venturing to foreign cinema of the likes of Fellini, Bergman, Kurosawa, as well as Old Hollywood masters like Hitchcock, David Lean, and Billy Wilder. In films I primarily seek two things: passion and innovation. I love observing confident filmmakers masterfully submerge the audience into unique worlds and stories, utilizing all of cinema’s many possibilities like visuals, sound, music, and editing. Film has developed a universal language that is becoming more and more available to wider varieties of artists, which makes me excited to observe and engage in the future of both Hollywood and the world cinema!
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