Al Pacino Rehearsed A 21-Page Scene for ‘Once Upon a Time in Hollywood’ With Leonardo DiCaprio, Then Tarantino Cut It To Two Minutes: ‘I’m Not Faulting Him’

In his new memoir, Sonny Boy, Al Pacino wrote that he filmed a 21-page scene with Leonardo DiCaprio for Quentin Tarantino’s Once Upon A Time In Hollywood , which was cut down to just two minutes of screen time.

Despite that, Pacino doesn’t blame or fault Tarantino. The Oscar winner is grateful for the director, as Hollywood is one of the few late-career projects that made Pacino “more famous now than I ever was.”

Pacino writes “Famous in a different way, not so much because of the work I’m doing, but through my associations with various people and my appearing in certain things, and from living in Hollywood.” “I got lucky. I was in three films in a row that in different ways made a real impact, starting with Once Upon a Time in Hollywood. I didn’t get paid the big bucks for it, but I was working with Quentin Tarantino, Leo DiCaprio, Brad Pitt, and Margot Robbie, and I did like the part. That’s why I did it, but I said to my lawyer, ‘How do I do this without being paid?’”

“I had a 21-page scene with Leo that we rehearsed together. Leo had a whole monologue that he delivered brilliantly, where he said everything that needed to be said about this industry in 1969,” Pacino adds. “But films have their own rhythms, and the scene turned out to be about two minutes when Tarantino was done with it. I’m not faulting him for it. He had a reason to do it.”

Pacino played Marvin Schwarz in Once Upon A Time In Hollywood, the wheeling-and-dealing Hollywood agent of DiCaprio’s Rick Dalton. The actor said Tarantino’s movie is “a great film. And the mere fact that I was in it gave me some sort of cachet.”

“Next comes The Irishman. Bob De Niro and Scorsese came to me years before, talking about what they were going to do. And I was all for it,” Pacino continues. “And then finally, it’s a script. I go out and do that. I have a huge part. I get a nomination for an Oscar, putting me up against Brad Pitt, Joe Pesci, Anthony Hopkins and Tom Hanks. I had no problem that night accepting my loser status among those guys.”

Movies such as Hollywood and The Irishman returned Pacino to working with some of the industry’s most revered auteur filmmakers. He admits in the book that once he turned 70 years old he started taking any acting job that offered him big money as he was broke at the time. Prior to that, Pacino “was doing films if I thought I related to the part and felt I could bring something.” He was able to return to that mentality thanks to Hollywood and The Irishman.

Pacino’s memoir “Sonny Boy” is now available to purchase.

Amani Sanders: Movie News Writer intern at Old Dominion University
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