After 50 Years, Kubrick’s ‘2001: A Space Odyssey’ Comes Back to The Theaters With a 70mm Restoration.

Attendees of the on-going Cannes Film Festival have received a special treat from the hands of Christopher Nolan and Warner Bros. What Nolan hails as the “unrestored” version of Stanley Kubrick’s 1969 revolutionary, sci-fi behemoth, 2001: A Space Odyssey, — film that shattered the conceptions of cinema’s possibilities and to this day succeeds at hypnotizing movie-audiences — premiered at Cannes as a part of the festival’s special presentation. Nolan was personally involved in the 70mm restoration process as well as the new Blu Ray version of the film in 4K HDR. Nostalgic and whole-heartedly excited, Nolan has described the film as a personal favorite, recalling his first time seeing it with his father in London when he was only a boy: “You sit there and you just go, ‘This is a film that’s not observing any conventions,’” Nolan told The New York Times.

The past few decades have experienced a number of hailed revivals of films like The Red Shoes, Peeping Tom, and Killing of Sheep, titles that otherwise lacked quality or were entirely un-viewable and lost to damage or poor maintenance. Many masterpieces of both American and world cinema are brought back to life due to the noble efforts of such cinema-warriors as the Criterion Collection, which offers high quality digital Blu Ray and DVD re-releases (some of which are now available on the streaming service, Film Struck) as well as the Film Foundation, a company that for many years, aided with the leadership of Martin Scorsese, has been advocating for extensive film negative restoration and preservation.

After the Cannes debut, 2001 received a passionate standing ovation. Audiences were once again blown away by the film’s scope and level of emersion, excited to learn that no re-editing has been implemented, the film maintaining all of its original content with the restoration effort focusing on picture and sound quality. Nolan has stated that this re-release can be considered to be identical to the film’s original format, giving it the classification of being an “unrestored” version. Scheduled to be released this Friday, May 18, in limited locations, audiences all around the world will be able to experiences the Kubrick classic the way it was meant to be seen 50 years ago.

Catch a screening of 2001: A Space Odyssey at Arclight Hollywood between May 18 and May 23! Limited seats left!

Michael Adonts: Hi, my name is Michael! I am a filmmaker based in Los Angeles, currently living in the SF/Bay Area, where I attend UC Berkeley as an undergrad, majoring in Psychology. Beyond my studies, I also work as a freelance producer, videographer and editor, having worked with a variety of clients, ranging from local musicians to up-and-coming start ups, making videos, commercials and trailers. My interest in film began in middle school when my family and I immigrated to LA, having previously lived in Russia and Armenia (my homeland.) Having limited experience in American culture and language, I took to watching platitudes of classical American films of the 70s, 80s and 90s, from which, while seeking to simply become educated in a foreign culture, I discovered my love for cinema and its different forms, like directing, writing, and editing. I started making my own films in high school, where I also began collaborating with friends on projects of various nature. Learning the craft myself, I continue to do so now as I start to dive into bigger projects, with the goal of writing and directing for film and TV! While early on I was mostly exposed to New Hollywood directors and 90s filmmakers like David Fincher, the Coen Brothers and Spike Jonze, I eventually began venturing to foreign cinema of the likes of Fellini, Bergman, Kurosawa, as well as Old Hollywood masters like Hitchcock, David Lean, and Billy Wilder. In films I primarily seek two things: passion and innovation. I love observing confident filmmakers masterfully submerge the audience into unique worlds and stories, utilizing all of cinema’s many possibilities like visuals, sound, music, and editing. Film has developed a universal language that is becoming more and more available to wider varieties of artists, which makes me excited to observe and engage in the future of both Hollywood and the world cinema!
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