Will ‘Ocean’s 8’ Surprise the Box Office?

Ocean’s 8, which stars Sandra Bullock, Cate Blanchett, Helena Bonham Carter, Rihanna, Anne Hathaway, Mindy Kaling, Sarah Paulson and Awkwafina, (making this writer consider that it blows the George Clooney-lead prequels out of the water in terms of the star-power) was released last night and now it is heading toward the weekend with open certainty to top the box office nationwide against the other new releases: horror-sensation, Hereditary, and Hotel Artemis, a sci-fi based on an original screenplay by Drew Pearce (Iron Man 3, Mission Impossible: Rogue Nation,) which so far has been receiving negative reviews all around.

Last night, the Gary Ross-directed picture grossed $4 million, beating the previously released, gender-swap (and a critical fiasco) Ghostbusters. The figure has made box office predictors to raise the opening weekend number from $30 to $40 million. The film has, so far, been getting average reviews, some especially highlighting Anne Hathaway’s hilariously self-indulging performance.

For Warner Bros. the female-lead film is meant to be the biggest summer release, with the studio waiting until Fall and Winter for their major releases. Gary Ross is also put back on the map as one of the more prominent, blockbuster directors which should get his fans excited to see what next Hollywood hit he will try to hustle up, after the not-so-successful Free State of Jones. Ross must be getting hungry for some game again.

Ocean’s 8 is a big, hopeful leap for any fans of the female-lead reboots and it is important for the film to hold its own both critically and commercially. Although, its influence will only be evident months and even years after the release, I am hopeful that it will change some views of female-starring, feature comedies. One can predict from the numerical distance that is left between 8 and 11 (the number that starts the first film of Soderberg’s trilogy,) future sequels are expected and the exciting box office numbers confirm these chances.

Michael Adonts: Hi, my name is Michael! I am a filmmaker based in Los Angeles, currently living in the SF/Bay Area, where I attend UC Berkeley as an undergrad, majoring in Psychology. Beyond my studies, I also work as a freelance producer, videographer and editor, having worked with a variety of clients, ranging from local musicians to up-and-coming start ups, making videos, commercials and trailers. My interest in film began in middle school when my family and I immigrated to LA, having previously lived in Russia and Armenia (my homeland.) Having limited experience in American culture and language, I took to watching platitudes of classical American films of the 70s, 80s and 90s, from which, while seeking to simply become educated in a foreign culture, I discovered my love for cinema and its different forms, like directing, writing, and editing. I started making my own films in high school, where I also began collaborating with friends on projects of various nature. Learning the craft myself, I continue to do so now as I start to dive into bigger projects, with the goal of writing and directing for film and TV! While early on I was mostly exposed to New Hollywood directors and 90s filmmakers like David Fincher, the Coen Brothers and Spike Jonze, I eventually began venturing to foreign cinema of the likes of Fellini, Bergman, Kurosawa, as well as Old Hollywood masters like Hitchcock, David Lean, and Billy Wilder. In films I primarily seek two things: passion and innovation. I love observing confident filmmakers masterfully submerge the audience into unique worlds and stories, utilizing all of cinema’s many possibilities like visuals, sound, music, and editing. Film has developed a universal language that is becoming more and more available to wider varieties of artists, which makes me excited to observe and engage in the future of both Hollywood and the world cinema!
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