Russian Culture Minister Denies An Outcry Of Theater Chains

The Russian culture ministry has been known to reschedule big foreign releases in favor of prioritizing homegrown films, as was reported by the Hollywood Reporter when last week, Russian cinema chains put out a statement specifying which films they believe are financially crucial to release at properly scheduled times, refraining from any delays. The list includes top summer movies like Pixar’s Incredibles 2 and Paramount’s next installment in the Mission Impossible franchise.

The lobbying of the theater chains was directed toward Russia’s Culture Minister, Vladimir Medinsky, who is personally responsible for the industry’s focus on Russian domestic releases, claiming a few months ago that Universal’s Fifty Shades Darker was given, “70 percent of all screenings, crashing a number of excellent local movies.” Following his previous agenda, Medinsky’s reply to the theater chain request was neglectful, with the Minister considering theater owners oleaginous in their request to prioritize foreign releases, stating, “I’m totally indifferent about the performance of Hollywood movies in Russia.”

Ever since Medinsky’s indoctrination as Minister of Culture, Russian cinema has been experiencing a steady growth. In 2016, there were a total of 97 new Russian releases compared to 67 Russian films that were released in 2012, the year when Medinsky was appointed Minister. Although Medinsky’s effort to bring Russian cinema back to the masses and support the production and distribution of local films can be considered a noble agenda, foreign releases still make up the majority of ticket sales, as indicated by another 2016 statistic, when only 11.6% of the box office was made up of the gains from domestic releases. With the culture ministry seeming adamant about their agenda, one may hope that the quality of Russian productions is worthy of the losses made on foreign films.

Michael Adonts: Hi, my name is Michael! I am a filmmaker based in Los Angeles, currently living in the SF/Bay Area, where I attend UC Berkeley as an undergrad, majoring in Psychology. Beyond my studies, I also work as a freelance producer, videographer and editor, having worked with a variety of clients, ranging from local musicians to up-and-coming start ups, making videos, commercials and trailers. My interest in film began in middle school when my family and I immigrated to LA, having previously lived in Russia and Armenia (my homeland.) Having limited experience in American culture and language, I took to watching platitudes of classical American films of the 70s, 80s and 90s, from which, while seeking to simply become educated in a foreign culture, I discovered my love for cinema and its different forms, like directing, writing, and editing. I started making my own films in high school, where I also began collaborating with friends on projects of various nature. Learning the craft myself, I continue to do so now as I start to dive into bigger projects, with the goal of writing and directing for film and TV! While early on I was mostly exposed to New Hollywood directors and 90s filmmakers like David Fincher, the Coen Brothers and Spike Jonze, I eventually began venturing to foreign cinema of the likes of Fellini, Bergman, Kurosawa, as well as Old Hollywood masters like Hitchcock, David Lean, and Billy Wilder. In films I primarily seek two things: passion and innovation. I love observing confident filmmakers masterfully submerge the audience into unique worlds and stories, utilizing all of cinema’s many possibilities like visuals, sound, music, and editing. Film has developed a universal language that is becoming more and more available to wider varieties of artists, which makes me excited to observe and engage in the future of both Hollywood and the world cinema!
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