Rotten Tomatoes Forms New Partnerships To Support Marginalized EntertainmentCritics

Review aggregator website Rotten Tomatoes has expanded its support for critics in marginalized communities through new partnerships with non-profit organizations. Through these generous partnerships, RT has exceeded its donations by $600,000.

While most companies like Netflix have fallen behind in its Diversity, Equality, and Inclusion (DEI) goals, RT continues to provide much-needed support to these communities in the past and present. It has recently renewed its $25,000 donation to the TIFF Media Inclusivity Initiative, bringing its overall contributions to $100,000 since 2018.

RT has partnered with GALECA: The Society of LGBTQ Entertainment Critics, the National Association of Black Journalists, and Gold House. Each organization helps support different, often intersecting communities like the black, LGBTQ, Hispanic, and Asian Pacific Islanders. Rotten Tomatoes has donated to honors scholarships for the former and the second’s 2023 Arts and Media Institute. Additionally, it is acting as the founding partner of the Gold House Future Accelerator program for young Asian Pacific journalists.

These new partnerships are part of a continuous trend for the review website to help diversify its output and staffing. Of its more than 1,000 critics, half are women, and 24% are people of color. With its acceptance of freelancing critics and new outputs, 66% of Rotten Tomatoes critics are from historically excluded backgrounds.

According to critic engagement director Jenny Jediny, their main DEI goals are to amplify “diverse voices and perspectives across our Rotten Tomatoes platforms” while giving “access to critics who historically have not been given early access to entertainment content” in other media outlets.

James Volonte: James Volonte is a budding writer who is eager to learn about the film industry firsthand. A fairly recent graduate from the University of Oklahoma, he has worked to gain as much experience as possible in entertainment. With a degree in Film and Media Studies and participation in the Student Film Production Club, he is able to look at the business from different angles. Since he graduated, he has worked on sets of films like Honey Boy and Ghostlight. Additionally, he has helped with rigs for various venues under the Emergent Theatre Technologies company. With these experiences, he hopes to become a filmmaker and create his own stories to share with the world.
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