Paramount Global Credit Rating Decreasing According To S&P

As economic models have changed, many studios have either grown or fallen behind. According to veteran S&P analyst Naveen Sarma, Paramount Global is in danger of falling into the latter category.

Four S&P analysts, including Sarma, gathered on Tuesday at the UBS Global Media and Communications Conference, where they discussed the challenges facing many studios like Paramount, Dish Network, and Altice USA. Sarma noted that since the beginning of this year, Paramount’s credit rating shrunk down from BBB to BBB-, the “bottom end of what we would call investment grade.” If the rating fell any further, according to Sarma, investors would soon have trouble holding onto their stock.

Additionally, the company is in danger of losing its “commercial papers” due to its increasing losses. Usually, through these arrangements, Paramount can collaborate with other institutions to help their movie or TV budgets. Ideally, the amount earned from the final projects would be enough to pay off these debts, but with the studio’s decreasing credit, it could be night impossible to pay off these debts. “They don’t necessarily have the cash on the balance sheet to be able to make” a $2 billion payment to the NFL.

Many believe this decreasing rating could be correlated to the transition from traditional to streaming. “If you look at all that together, the media companies are going to have weaker cash flows than they have historically had, and that’s going to have a rating implication from our standpoint,” Sarma said. Whether or not streaming proves to be a good business will remain to be seen.

James Volonte: James Volonte is a budding writer who is eager to learn about the film industry firsthand. A fairly recent graduate from the University of Oklahoma, he has worked to gain as much experience as possible in entertainment. With a degree in Film and Media Studies and participation in the Student Film Production Club, he is able to look at the business from different angles. Since he graduated, he has worked on sets of films like Honey Boy and Ghostlight. Additionally, he has helped with rigs for various venues under the Emergent Theatre Technologies company. With these experiences, he hopes to become a filmmaker and create his own stories to share with the world.
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