Andy Serkis’ ‘Mowgli’ Sold To Netflix

Andy Serkis, the man underneath the motion capture suits in LotR and Planet of the Apes (and one of the most versatile creatives in the industry) is still charting his path through directorial waters. In 2017, the British drama Breathe, which served as Serkis’ debut feature, failed to capture significant box office attention in both the U.S. and England, and now Warner Bros. has sold Mowgli (Serkis’ second feature work, and darker take on Kipling’s Jungle Book) to Netflix for a primarily streaming release. Mowgli stands in contrast to Disney’s 2016 The Jungle Book, which scored popular attention all around. Yet, as described in this informative Variety article, Mowgli now abandons a widespread theatrical distribution model, postpones its premiere, and sees a streaming release next year.

Readers themselves can view the film’s condition and the infer reasons why it was dropped off WB’s release slate by checking out the previously released trailer. The film doesn’t seem to stand up to the immensely impressive CGI work done by Jon Favreau’s team for the Disney version; the animals and the environments are not as rich and atmospheric and, as DC universe releases have proven, a darker take on things is difficult to pull off with mainstream aplomb.

The cast that includes Christian Bale, Cate Blanchett, Benedict CumberbatchNaomie Harris and Serkis (as the wise bear Baloo) wasn’t enough to convince WB that the film could bring in viewers. Serkis worked diligently on the film since 2014; hopefully he will be satisfied with the minimal theatrical distribution model that is included in the Netflix package. Whatever happens to the film upon its release, the deal between WB and Netflix shows that streaming services are an attractive way for wary studios to sell properties, and also an audience-friendly approach when major studios decide to pass on distributing a film.

Michael Adonts: Hi, my name is Michael! I am a filmmaker based in Los Angeles, currently living in the SF/Bay Area, where I attend UC Berkeley as an undergrad, majoring in Psychology. Beyond my studies, I also work as a freelance producer, videographer and editor, having worked with a variety of clients, ranging from local musicians to up-and-coming start ups, making videos, commercials and trailers. My interest in film began in middle school when my family and I immigrated to LA, having previously lived in Russia and Armenia (my homeland.) Having limited experience in American culture and language, I took to watching platitudes of classical American films of the 70s, 80s and 90s, from which, while seeking to simply become educated in a foreign culture, I discovered my love for cinema and its different forms, like directing, writing, and editing. I started making my own films in high school, where I also began collaborating with friends on projects of various nature. Learning the craft myself, I continue to do so now as I start to dive into bigger projects, with the goal of writing and directing for film and TV! While early on I was mostly exposed to New Hollywood directors and 90s filmmakers like David Fincher, the Coen Brothers and Spike Jonze, I eventually began venturing to foreign cinema of the likes of Fellini, Bergman, Kurosawa, as well as Old Hollywood masters like Hitchcock, David Lean, and Billy Wilder. In films I primarily seek two things: passion and innovation. I love observing confident filmmakers masterfully submerge the audience into unique worlds and stories, utilizing all of cinema’s many possibilities like visuals, sound, music, and editing. Film has developed a universal language that is becoming more and more available to wider varieties of artists, which makes me excited to observe and engage in the future of both Hollywood and the world cinema!
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