‘Spider-Man’ Webs ‘Wonder Woman’ and becomes Highest Grossing Superhero Film of 2017

Spider-Man: Homecoming webs the competition, becoming the highest grossing superhero film of 2017 with an $874 million total gross. There is one caveat: its massive success is due largely in part to its exceptional performance in foreign markets like China and South Korea.

When compared to Wonder Woman ($820 million) and Guardians of the Galaxy Vol. 2‘s ($863 million) total box office gross, Homecoming outperformed Guardians Vol. 2 by slight margin while edging out Wonder Woman by roughly $54 million, according to Box Office Mojo. However, domestically, Wonder Woman is this year’s highest-performing superhero film. Director Patty Jenkins‘ loving tribute to the feminist hero out-performed both James Gunn‘s sequel and the Spider-Man reboot, raking in approximately $412 million to Guardians Vol 2‘s $390 million and Homecoming‘s $332 million. In fact, when comparing North American earnings, Wonder Woman earned $80 million more than everyone’s favorite web-slinger. Besides dominating the box office for several weeks in row, Wonder Woman made history by setting a record opening for a female-directed film.

The dramatic difference between Wonder Woman and Spider-Man‘s foreign performance can probably be attributed to international brand awareness. Spider-Man has been featured in six films (counting Captain America: Civil War) since 2002, while Wonder Woman made her first big screen appearance in 2016 with the disappointing Suicide Squad. Spider-Man has also headlined several animated series and video games. Wonder Woman, outside of comics, has mostly co-starred in animated shows like Justice League Unlimited and the Injustice fighting game franchise. Given the incredible critical and financial response to Jenkins’ film, the follow-up is guaranteed to break additional records, potentially outperforming the original.

In 2017, one thing is clear: comic book fans have won.

Sean Arenas: Sean Arenas is a writer and musician from Los Angeles, CA. Besides mxdwn Movies, he writes for Playboy and Razorcake, a nonprofit, bimonthly music magazine, where he has contributed over 200 record, book, and film reviews. He has also published his first short story in Cabildo Quarterly, a Massachusetts-based literary journal. Sean's favorite directors are Terry Gilliam, Jean-Pierre Jeunet, Chan-Wook Park, John Carpenter, and Takashi Miike.
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