MoviePass Suffers Losses, Leaving the Future of Theater-Going in Question

MoviePass, a service that offers moviegoers a $9.95-a-month subscription that allows them to see a movie a day in the theaters, has been suffering substantial financial losses, making investors and costumers doubt the strength of its business model and the prospects of the service’s future. Helios and Matheson Analytics, the parent company that owns 93 percent of MoviePass, has revealed that in the company’s first quarter, MoviePass lost $98.3 million on revenue of $48.6 million. On Tuesday, MoviePass’ stocks traded for 65 cents, representing a strong decline for Helios and Matheson which, two decades ago, traded for $132 and above.

The news arrives after the company suffered substantial criticism from both customers and business analysts. ABC reported about “hundreds of complaints” that were addressed toward MoviePass after it failed to provide satisfying costumer service for issues with ticketing and subscription cancelations. Analysts also judge the company for the seemingly rushed move to bring the untested model to the public market on Wall Street, suggesting that a more prolonged venture-capitalist approach would have led to greater financial successes and security. MoviePass follows in the steps of other startups like Uber and AirBnB, attempting to disrupt the market by offering a totally new approach to a long-established model. With movie ticket prices hitting higher sums each year, visiting the theater has become a costly treat for audiences, who are now more inclined to stay indoors and utilize the many streaming services available for much cheaper billing yet arguably providing an equal quality of entertainment as a visit to the theaters.

During the time when many believe in the up-coming extinction of theater chains due to higher competition with the streaming industry, MoviePass seemed to be a blessing. Now that the company has failed to sustain long-term plans, what is left in store for cinephiles and others who enjoy the experience of the big screen? In the past 12 months, MoviePass grew from having 700,000 to about 3 million users, proving the interest of many in finding a cheaper solution to visit the theaters. While the current business model has not proven itself, there are lessons to be learned and improvements to be made to MoviePass’ noble effort to bring the masses from their couches, back to the reclining chairs to maintain the special, communal experience of the movies. One can hope that another, more long-term seeking model will arise from the ashes of what once was a promising venture.

Michael Adonts: Hi, my name is Michael! I am a filmmaker based in Los Angeles, currently living in the SF/Bay Area, where I attend UC Berkeley as an undergrad, majoring in Psychology. Beyond my studies, I also work as a freelance producer, videographer and editor, having worked with a variety of clients, ranging from local musicians to up-and-coming start ups, making videos, commercials and trailers. My interest in film began in middle school when my family and I immigrated to LA, having previously lived in Russia and Armenia (my homeland.) Having limited experience in American culture and language, I took to watching platitudes of classical American films of the 70s, 80s and 90s, from which, while seeking to simply become educated in a foreign culture, I discovered my love for cinema and its different forms, like directing, writing, and editing. I started making my own films in high school, where I also began collaborating with friends on projects of various nature. Learning the craft myself, I continue to do so now as I start to dive into bigger projects, with the goal of writing and directing for film and TV! While early on I was mostly exposed to New Hollywood directors and 90s filmmakers like David Fincher, the Coen Brothers and Spike Jonze, I eventually began venturing to foreign cinema of the likes of Fellini, Bergman, Kurosawa, as well as Old Hollywood masters like Hitchcock, David Lean, and Billy Wilder. In films I primarily seek two things: passion and innovation. I love observing confident filmmakers masterfully submerge the audience into unique worlds and stories, utilizing all of cinema’s many possibilities like visuals, sound, music, and editing. Film has developed a universal language that is becoming more and more available to wider varieties of artists, which makes me excited to observe and engage in the future of both Hollywood and the world cinema!
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