James Gunn Fired From ‘Guardians of the Galaxy Vol. 3’ Due To Old Tweets About Rape/Pedophilia on Twitter

Disney has cut all ties with the mind behind Guardians of the Galaxy, James Gunn, who has been removed from the director/writer seat for GotG Vol. 3 (expected 2020.) The decision followed a recent dig-up of Gunn’s old twitter-jokes, in which the self-established provocateur referenced pedophilia and rape as parts of his punchlines.

Note: the tweets above come from 2008-2009 period.

Besides the news of Gunn exiting Guardians, the geek-celebrity icon will also miss a panel he was supposed to attend at the San Diego Comic-Con for an untitled horror film he directed for Sony.

Interestingly, Gunn’s old tweets, for which the celebrity has publicly apologized about 6 years ago, prior to directing the first Guardians film, were re-discovered by conservative, alt-right personalities. It is believed that the attack was caused due to Gunn’s outspoken criticism of Donald Trump, about whom the 51-year-old director tweets frequently.

Once the tweets were dug up, Gunn went on to hastily delete many of his old, offensive tweets, a fact revealed by his accidental post of his search request:

Gunn responded, tweeting, “In the past, I have apologized for humor of mine that hurt people. I truly felt sorry and meant every word of my apologies.” Gunn followed a series of tweets with the following: “I used to make a lot of offensive jokes. I don’t anymore. I don’t blame my past self for this, but I like myself more and feel like a more full human being and creator today.  Love to you all.”

The Twitter community equivocally responded to the news with criticism toward Disney’s decision. Gunn has since stated: “Regardless of how much time has passed, I understand and accept the business decisions taken today,” he said, writes Variety. “Even these many years later, I take full responsibility for the way I conducted myself then. All I can do now, beyond offering my sincere and heartfelt regret, is to be the best human being I can be: accepting, understanding, committed to equality, and far more thoughtful about my public statements and my obligations to our public discourse. To everyone inside my industry and beyond, I again offer my deepest apologies. Love to all.”

 

 

Michael Adonts: Hi, my name is Michael! I am a filmmaker based in Los Angeles, currently living in the SF/Bay Area, where I attend UC Berkeley as an undergrad, majoring in Psychology. Beyond my studies, I also work as a freelance producer, videographer and editor, having worked with a variety of clients, ranging from local musicians to up-and-coming start ups, making videos, commercials and trailers. My interest in film began in middle school when my family and I immigrated to LA, having previously lived in Russia and Armenia (my homeland.) Having limited experience in American culture and language, I took to watching platitudes of classical American films of the 70s, 80s and 90s, from which, while seeking to simply become educated in a foreign culture, I discovered my love for cinema and its different forms, like directing, writing, and editing. I started making my own films in high school, where I also began collaborating with friends on projects of various nature. Learning the craft myself, I continue to do so now as I start to dive into bigger projects, with the goal of writing and directing for film and TV! While early on I was mostly exposed to New Hollywood directors and 90s filmmakers like David Fincher, the Coen Brothers and Spike Jonze, I eventually began venturing to foreign cinema of the likes of Fellini, Bergman, Kurosawa, as well as Old Hollywood masters like Hitchcock, David Lean, and Billy Wilder. In films I primarily seek two things: passion and innovation. I love observing confident filmmakers masterfully submerge the audience into unique worlds and stories, utilizing all of cinema’s many possibilities like visuals, sound, music, and editing. Film has developed a universal language that is becoming more and more available to wider varieties of artists, which makes me excited to observe and engage in the future of both Hollywood and the world cinema!
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